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A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

26
A
B
C
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F
G
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O
P
Q
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U
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W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
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X
Y
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-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
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T
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X
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Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
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E
F
G
H
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K
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M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
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L
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N
O
P
Q
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T
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X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
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E
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O
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X
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Z
-
-
9
-
-
8
-
9
-
9

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

 

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1
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3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
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N
O
P
Q
R
S
T
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-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
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L
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N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
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U
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X
Y
Z

 

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

 

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

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1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

 

26
A
B
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F
G
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I
J
K
L
M
N
O
P
Q
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U
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W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
23
14
10
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
2+3
1+4
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

EVOLVE LOVE EVOLVE

LOVES SOLVE LOVES

EVOLVE LOVE EVOLVE

 

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences. The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

Daily Mail, Monday, December 21, 2015

Page 45

ANSWERS TO CORRESPONDENTS
Charles Legge.

QUESTION If E is the most used letter of our alphabet, in what order of usage are the remaining 25 letters?

CODEBREAKERS are especially interested in frequency analysis. The most basic encryption text is achieved by simply replacing one letter by another. So to decipher such an encryption, it's useful to get a frequency count of all the letters. The most frequent letter might represent the most common letter in English, E followed by T, A, 0 and I. The least frequent are Q, Z and X.
Common percentages in standard Englist are: e 12.7, t 9.1, a 8.2, o 7.5, i 7.0, n 6.7, s 6.3 h 6.1, r 6.0, d 4.3, I 4.0, u 2.8, c 2.8, m 2.4, IA 2.4, f 2.2, y 2.0, g 2.0, p 1.9, b 1.5, v 1.0, k 0.8 x 0.2, j 0.2, q 0.1, z 0.1. The top 12 letter: constitute about 80 per cent of the total usage. The top eight letters constitute about 65 per cent of total use.
Codebreakers also look for common pairings, for example the consonants TE and vowels EA. Other pairings are OF, TO IN, IT, IS, BE, AS, AT, SO, WE, HE, BY, OR ON, DO, IF, ME, MY, UP. Common pairs of repeated letters are SS, EE, TT, FF, LL MM and 00. Common triplets are THE EST, FOR, AND, HIS, ENT and THA. The use of letter frequencies and frequency analysis plays a fundamenta role in cryptograms and word puzzle games such as Hangman and Scrabble. An example of applying the knowledge of English letter frequency to solving cryptogram is found in Edgar Allan Poe's famous story The Gold-Bug, where the method is successfully applied to decipher a message instructing on the whereabouts of a treasure hidden by Captain Kidd.
A. D. Butler Warraigion, Cheshire.

 

1234 5 6789

ONETWOTHREEFOUR 5FIVE5 SIXSEVENEIGHTNINE

1234 5 6789

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

 

R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
-
-
1
-
3
Essence of Number
9
9
9

 

 

-
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
6
1
-
-
-
-
-
1
-
6
5
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
-
15
19
-
-
-
-
-
19
-
15
14
-
+
=
82
8+2
=
10
1+0
1
=
1
-
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
5
2
2
1
-
-
2
-
-
5
+
=
26
2+6
=
8
=
8
=
8
-
-
18
-
-
5
20
20
1
-
-
20
-
-
5
+
=
89
8+9
=
17
1+7
8
=
8
-
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
18
15
19
5
20
20
1
-
19
20
15
14
5
+
=
171
1+7+1
=
9
=
9
=
9
-
-
9
6
1
5
2
2
1
-
1
2
6
5
5
+
=
45
4+5
=
9
=
9
=
9
-
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
-
-
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
-
-
2
2
-
-
-
2
-
-
-
-
-
2
occurs
x
3
=
6
=
6
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
5
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
22
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
23
-
-
12
-
45
-
27
2+2
1+2
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+3
-
-
1+2
-
4+5
-
2+7
4
3
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
5
-
-
3
-
9
-
9
-
-
9
6
1
5
2
2
1
-
1
2
6
5
5
-
-
-
-
-
-
-
-
-
-
4
3
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
5
-
-
3
-
9
-
9

 

 

12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
6
1
-
-
-
-
-
1
-
6
5
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
15
19
-
-
-
-
-
19
-
15
14
-
+
=
82
8+2
=
10
1+0
1
=
1
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
9
-
-
5
2
2
1
-
-
2
-
-
5
+
=
26
2+6
=
8
=
8
=
8
-
18
-
-
5
20
20
1
-
-
20
-
-
5
+
=
89
8+9
=
17
1+7
8
=
8
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
18
15
19
5
20
20
1
-
19
20
15
14
5
+
=
171
1+7=1
=
9
=
9
=
9
-
9
6
1
5
2
2
1
-
1
2
6
5
5
+
=
45
4+5
=
9
=
9
=
9
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
-
-
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
-
2
2
-
-
-
2
-
-
-
-
-
2
occurs
x
3
=
6
=
6
-
-
-
-
5
-
-
-
-
-
-
-
5
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
23
-
-
12
-
45
-
27
1+2
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2+3
-
-
1+2
-
4+5
-
2+7
3
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
5
-
-
3
-
9
-
9
-
9
6
1
5
2
2
1
-
1
2
6
5
5
-
-
-
-
-
-
-
-
-
-
3
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
5
-
-
3
-
9
-
9

 

 

 

A
T
U
M
-
R
A
-
A
R
-
M
U
T
A
1
20
21
13
-
18
1
-
1
18
-
13
21
20
1
1
2
3
4
-
9
1
-
1
9
-
4
3
2
1
A
T
U
M
-
R
A
-
A
R
-
M
U
T
A
1
-
-
-
-
-
1
-
1
-
-
-
-
-
1
-
2
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
4
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
-
A
T
U
M
-
R
A
-
A
R
-
M
U
T
A

 

 

-
-
-
-
9
-
-
-
9
-
-
-
-
-
-
-
4
-
-
-
-
-
4
-
-
-
-
-
3
-
-
-
-
-
-
-
3
-
-
-
2
-
-
-
-
-
-
-
-
-
2
-
1
-
-
-
-
1
-
1
-
-
-
-
1
A
T
U
M
R
A
-
A
R
M
U
T
A
1
20
21
13
18
1
-
1
18
13
21
20
1
1
2
3
4
9
1
-
1
9
4
3
2
1
A
T
U
M
R
A
-
A
R
M
U
T
A
1
2
3
4
9
1
-
1
9
4
3
2
1
A
T
U
M
R
A
-
A
R
M
U
T
A

 

 

-
-
-
4
-
4
-
-
-
-
-
3
-
-
-
3
-
-
-
2
-
-
-
-
-
2
-
1
-
-
-
-
-
-
-
1
A
T
U
M
-
M
U
T
A
1
20
21
13
-
13
21
20
1
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A

 

 

-
-
-
4
4
-
-
-
-
-
3
-
-
3
-
-
-
2
-
-
-
-
2
-
1
-
-
-
-
-
-
1
A
T
U
M
M
U
T
A
1
20
21
13
13
21
20
1
1
2
3
4
4
3
2
1
A
T
U
M
M
U
T
A
1
2
3
4
4
3
2
1
A
T
U
M
M
U
T
A

 

 

-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
-
-
-
-
-
6
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
35
6
A
T
U
M
-
-
10
-
-
6
-
20
3+5
-
-
-
-
-
-
-
1+0
-
-
-
Q
2+0
8
6
A
T
U
M
-
-
1
-
-
6
-
2
-
-
1
2
3
4
-
-
-
-
-
-
Q
2+0
8
6
A
T
U
M
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
-
1
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
6
A
T
U
M
-
-
10
-
-
6
-
20
-
-
-
-
-
-
-
1+0
-
-
-
Q
2+0
6
A
T
U
M
-
-
1
-
-
6
-
2
-
1
2
3
4
-
-
-
-
-
-
Q
2+0
6
A
T
U
M
-
-
1
-
-
6
-
2

 

 

-
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
-
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
26
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
2+6
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
Q
2+0
8
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
-
1
2
3
4
-
9
1
-
-
1+0
-
-
-
Q
2+0
8
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
Q
2+0
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
1
2
3
4
-
9
1
-
-
1+0
-
-
-
-
-
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

-
6
A
U
T
U
M
N
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
5
+
=
5
-
=
5
=
5
-
-
-
-
-
-
-
14
+
=
14
1+4
=
5
=
5
-
6
A
U
T
U
M
N
-
-
-
-
-
--
-
-
-
-
1
3
2
3
4
-
+
=
13
1+3
=
4
=
4
-
-
1
21
20
21
13
-
+
=
76
7+6
=
13
1+3
4
-
6
A
U
T
U
M
N
-
-
-
-
-
--
-
-
-
-
1
21
20
21
13
14
+
=
90
9+0
=
9
=
9
-
-
1
3
2
3
4
5
+
=
18
1+8
=
9
=
9
-
6
A
U
T
U
M
N
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
3
-
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
30
6
A
U
T
U
M
N
-
-
15
-
-
6
-
18
3+0
-
-
-
-
--
-
-
-
-
1+5
-
-
-
-
1+8
3
6
A
U
T
U
M
N
-
-
6
-
-
6
-
9

 

 

-
6
A
U
T
U
M
N
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
5
+
=
5
-
=
5
=
5
-
-
-
-
-
-
-
14
+
=
14
1+4
=
5
=
5
-
6
A
U
T
U
M
N
-
-
-
-
-
--
-
-
-
-
1
3
2
3
4
-
+
=
13
1+3
=
4
=
4
-
-
1
21
20
21
13
-
+
=
76
7+6
=
13
1+3
4
-
6
A
U
T
U
M
N
-
-
-
-
-
--
-
-
-
-
1
21
20
21
13
14
+
=
90
9+0
=
9
=
9
-
-
1
3
2
3
4
5
+
=
18
1+8
=
9
=
9
-
6
A
U
T
U
M
N
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
3
-
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
30
6
A
U
T
U
M
N
-
-
15
-
-
6
-
18
3+0
-
-
-
-
--
-
-
-
-
1+5
-
-
-
-
1+8
3
6
A
U
T
U
M
N
-
-
6
-
-
6
-
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

ADVENT 1170 ADVENT

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

-
10
S
I
R
I
U
S
-
S
T
A
R
-
-
-
-
-
-
-
-
-
-
-
-
1
9
-
9
-
1
-
1
-
-
-
+
=
21
2+1
=
3
=
3
=
3
-
-
19
9
-
9
-
19
-
19
-
-
-
+
=
75
4+8
=
12
1+2
3
=
3
-
10
S
I
R
I
U
S
-
S
T
A
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
3
-
-
-
2
1
9
+
=
24
2+4
=
6
=
6
=
6
-
-
-
-
18
-
21
-
-
-
20
1
18
+
=
78
7+8
=
15
1+5
6
=
6
-
10
S
I
R
I
U
S
-
S
T
A
R
-
-
-
-
-
--
-
-
-
-
-
-
19
9
18
9
21
19
-
19
20
1
18
=
=
153
1+5+3
=
9
=
9
=
9
-
-
1
9
9
9
3
1
-
1
2
1
9
=
=
45
3+2
=
9
=
9
=
9
-
10
S
I
R
I
U
S
-
S
T
A
R
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
1
-
1
-
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
9
9
-
-
-
-
-
-
9
-
-
9
occurs
x
4
=
36
3+6
9
30
10
S
I
R
I
U
S
-
S
T
A
R
-
-
15
-
-
10
-
45
-
18
3+0
1+0
-
9
9
9
-
-
-
-
-
-
9
-
-
1+5
-
-
1+0
-
4+5
-
1+8
3
1
S
I
R
I
U
S
-
S
T
A
R
-
-
6
-
-
1
-
9
-
9
-
-
1
9
9
9
3
1
-
1
2
1
9
-
-
-
-
-
-
-
-
-
-
3
1
S
I
R
I
U
S
-
S
T
A
R
-
-
6
-
-
1
-
9
-
9

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
-
189
90
18
1+8
-
1+8+9
9+0
1+8
9
-
18
9
9
-
-
1+8
-
-
9
-
9
9
9

 

 

-
2
O
M
-
-
-
-
-
-
-
-
-
-
6
-
+
=
6
-
=
6
=
6
-
-
15
-
+
=
15
1+5
=
6
=
6
-
2
O
M
-
-
-
-
-
-
-
-
-
-
-
4
+
=
4
-
=
4
=
4
-
-
-
13
+
=
13
1+3
=
4
=
4
-
2
O
M
-
-
-
-
-
-
-
-
-
-
15
13
+
=
28
2+8
=
10
=
1
-
-
6
4
+
=
10
1+0
=
1
=
1
-
2
O
M
-
-
-
-
-
-
-
--
1
-
-
-
-
-
1
ONE
1
-
-
-
2
-
-
-
-
-
2
TWO
2
-
-
-
3
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
4
-
-
4
occurs
x
1
x
4
5
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
-
6
occurs
x
1
x
6
7
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
9
NINE
9
-
-
-
35
2
O
M
-
-
10
-
-
2
-
10
3+5
-
6
4
-
-
1+0
-
-
-
-
1+0
8
2
O
M
-
-
1
-
-
2
-
1

 

 

2
O
M
-
-
-
-
-
-
-
-
-
6
-
+
=
6
-
=
6
=
6
-
15
-
+
=
15
1+5
=
6
=
6
2
O
M
-
-
-
-
-
-
-
-
-
-
4
+
=
4
-
=
4
=
4
-
-
13
+
=
13
1+3
=
4
=
4
2
O
M
-
-
-
-
-
-
-
-
-
15
13
+
=
28
2+8
=
10
=
1
-
6
4
+
=
10
1+0
=
1
=
1
2
O
M
-
-
-
-
-
-
-
--
-
-
4
-
-
4
occurs
x
1
x
4
-
6
-
-
-
6
occurs
x
1
x
6
2
O
M
-
-
10
-
-
2
-
10
-
6
4
-
-
1+0
-
-
-
-
1+0
2
O
M
-
-
1
-
-
2
-
1

 

 

-
3
A
U
M
-
-
-
-
-
-
-
-
-
-
1
3
4
+
=
8
-
=
8
=
8
-
`-
1
21
13
+
=
35
3+5
=
8
=
8
-
3
A
U
M
-
-
-
-
-
-
-
-
-
-
1
3
4
+
=
8
-
=
8
=
8
-
`-
1
21
13
+
=
35
3+5
=
8
=
8
-
3
A
U
M
-
-
-
-
-
-
-
-
-
`-
1
21
13
+
=
35
3+5
=
8
=
8
-
-
1
3
4
+
=
8
-
=
8
=
8
-
3
A
U
M
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
9
NINE
9
-
-
-
37
3
A
U
M
-
-
8
-
-
3
8
3+7
-
1
3
4
-
-
-
-
-
-
-
10
3
A
U
M
-
--
8
-
-
3
8
1+0
-
1
3
4
-
-
-
-
-
-
-
1
3
A
U
M
-
--
8
-
-
3
8

 

 

3
A
U
M
-
-
-
-
-
-
-
-
-
1
3
4
+
=
8
-
=
8
=
8
`-
1
21
13
+
=
35
3+5
=
8
=
8
3
A
U
M
-
-
-
-
-
-
-
-
-
1
3
4
+
=
8
-
=
8
=
8
`-
1
21
13
+
=
35
3+5
=
8
=
8
3
A
U
M
-
-
-
-
-
-
-
-
`-
1
21
13
+
=
35
3+5
=
8
=
8
-
1
3
4
+
=
8
-
=
8
=
8
3
A
U
M
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
4
-
-
4
occurs
x
1
=
4
3
A
U
M
-
-
8
-
-
3
8
-
1
3
4
-
-
-
-
-
-
-
3
A
U
M
-
--
8
-
-
3
8
-
1
3
4
-
-
-
-
-
-
-
3
A
U
M
-
--
8
-
-
3
8

 

 

3
AUM
35
8
8
2
OM
28
10
1
5
-
63
18
9
-
-
6+3
1+8
-
5
-
9
9
9

 

 

-
5
O
M
-
A
U
M
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
+
=
6
-
=
6
=
6
-
-
15
-
-
-
-
-
+
=
15
1+5
=
6
=
6
-
-
O
M
-
A
U
M
-
-
-
-
-
--
-
-
-
-
-
4
-
1
3
4
+
=
12
1+2
=
3
=
3
-
-
-
13
-
1
21
13
+
=
48
4+8
=
12
1+2
3
-
3
O
M
-
A
U
M
-
-
-
-
-
--
-
-
-
`-
15
13
-
1
21
13
+
=
63
6+3
=
9
-
9
-
-
6
4
-
1
3
4
+
=
18
1+8
=
9
-
9
-
3
O
M
-
A
U
M
-
-
-
-
-
--
-
--
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
4
-
-
-
4
-
-
4
occurs
x
2
=
8
5
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
--
9
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
31
3
O
M
-
A
U
M
-
-
14
-
-
5
-
18
3+1
-
6
4
-
1
3
4
-
-
1+4
-
-
-
-
1+8
4
3
O
M
-
A
U
M
-
-
5
-
-
5
-
9

 

 

5
O
M
-
A
U
M
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
+
=
6
-
=
6
=
6
-
15
-
-
-
-
-
+
=
15
1+5
=
6
=
6
-
O
M
-
A
U
M
-
-
-
-
-
--
-
-
-
-
4
-
1
3
4
+
=
12
1+2
=
3
=
3
-
-
13
-
1
21
13
+
=
48
4+8
=
12
1+2
3
3
O
M
-
A
U
M
-
-
-
-
-
--
-
-
`-
15
13
-
1
21
13
+
=
63
6+3
=
9
=
9
-
6
4
-
1
3
4
+
=
18
1+8
=
9
=
9
3
O
M
-
A
U
M
-
-
-
-
-
--
-
--
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
4
-
-
-
4
-
-
4
occurs
x
2
=
8
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
3
O
M
-
A
U
M
-
-
14
-
-
5
-
18
-
6
4
-
1
3
4
-
-
1+4
-
-
-
-
1+8
3
O
M
-
A
U
M
-
-
5
-
-
5
-
9

 

 

3
AUM
35
8
8
2
OM
28
10
1
5
-
63
18
9
-
-
6+3
1+8
-
5
-
9
9
9

 

 

 

That sound, the original Vedic mantra OM, when expressed through Brahma's mouth becomes the sacred Gayatri--mother of the Vedas. ... www.crystalinks.com/vedas.html

 

The Vedas are perhaps the oldest written text on our planet today. They date back to the beginning of Indian civilization and are the earliest literary records of the whole Aryan race. They are supposed to have been passed through oral tradition for over 100,000 years. They came to us in written form between 4-6,000 years ago.

The Vedas are divided into four groups, Rigveda, Yajurveda, Samaveda and Atharvaveda. Each group has an original text (Mantra) and a commentary portion (Brahmana).

The Brahmana again has two portions, one interpreting ritual and the other the philosophy. The portions interpreting the philosophy of the original texts constitute the Upanishads.

There are also auxiliary texts called Vedangas. Vedic literature refers to the whole of this vast group of literature. The whole of Rgveda and most of Atharvaveda are in the form of poetry, or hymns to the deities and the elements.

Samaveda is in verses that are to be sung and Yajurveda is largely in short prose passages. Both Samaveda and Yajurveda are concerned with rituals rather than philosophy - especially Yajurveda.

Rigveda

The Rig-Veda Samhita is the oldest significant extant Indian text. It is a collection of 1,028 Vedic Sanskrit hymns and 10,600 verses in all, organized into ten books (Sanskrit: mandalas). The hymns are dedicated to Rigvedic deities. The books were composed by sages and poets from different priestly groups over a period of at least 500 years, which Avari dates as 1400 BCE to 900 BCE, if not earlier According to Max Müller, based on internal evidence (philological and linguistic), the Rigveda was composed roughly between 1700­1100 BCE (the early Vedic period) in the Punjab (Sapta Sindhu) region of the Indian subcontinent. Michael Witzel believes that the Rig Veda must have been composed more or less in the period 1450-1350 BCE. There are strong linguistic and cultural similarities between the Rigveda and the early Iranian Avesta, deriving from the Proto-Indo-Iranian times, often associated with the Andronovo culture; the earliest horse-drawn chariots were found at Andronovo sites in the Sintashta-Petrovka cultural area near the Ural mountains and date to ca. 2000 BCE.

Rigveda means the Veda of Adoration and mostly contains verses adoring or adulating deities. But it also dealt with other subjects, like the procedure of wedding, the folly of gambling. About two-thirds of Rigveda is about the gods Agni (Fire) and Indra (Ruler of the gods). Other Rigvedic gods include Rudra, the two Ashvins,Savitar and Surya, Varuna, the Maruts and the Ribhus. There are references to a divine creeper, the Soma, whose juice was an energizer. Some animals like horses, some rivers, and even some implements (like mortar and pestle) were deified. Rigveda contains a sense of intimate communion between Nature and the Rishis or visionaries. According to some, the concerns of Rigveda are those of simple, nomadic, pastoral Aryans. According to others, the people in the times of the Rigveda had a settled home, definite mode of life, developed social customs, political organizations, and even arts and amusements. Rigveda is the oldest, largest and most important of the Vedas, containing ten thousand verses forming 1017 poems in 20 groups.

Yajurveda

The Yajur-Veda ("Veda of sacrificial formulas") consists of archaic prose mantras and also in part of verses borrowed from the Rig-Veda. Its purpose was practical, in that each mantra must accompany an action in sacrifice but, unlike the Sama-Veda, it was compiled to apply to all sacrificial rites, not merely the Soma offering. There are two major recensions of this Veda known as the "Black" and "White" Yajur-Veda. The origin and meaning of these designations are not very clear. The White Yajur-Veda contains only the verses and sayings necessary for the sacrifice, while explanations exist in a separate Brahmana work. It differs widely from the Black Yajurveda, which incorporates such explanations in the work itself, often immediately following the verses. Of the Black Yajurveda four major recensions survive, all showing by and large the same arrangement, but differing in many other respects, notably in the individual discussion of the rituals but also in matters of phonology and accent.

Yajurveda refers to acts of worship such as oblations made into Agni or Fire. It has two branches, Krishna or Black and Shukla or White. While both contain mantras or incantations to be chanted at rituals, Black Yajurveda also has many explanations. The recensions of Black Yajurveda are Taittirya, Katthaka, Maitrayani and Kapishtthala. Those of White Yajurveda are Madhyanadina and Kanva. The literary value of Yajurveda is mostly for its prose, which consists of short terse sentences full of meaning and cadence.

Samveda

The Sama-Veda is the "Veda of chants" or "Knowledge of melodies". The name of this Veda is from the Sanskrit word saman which means a metrical hymn or song of praise. It consists of 1549 stanzas, taken entirely (except 78) from the Rig-Veda. Some of the Rig-Veda verses are repeated more than once. Including repetitions, there are a total of 1875 verses numbered in the Sama-Veda recension published by Griffith. Two major recensions remain today, the Kauthuma/Ranayaniya and the Jaiminiya. P> Its purpose was liturgical and practical, to serve as a songbook for the "singer" priests who took part in the liturgy. A priest who sings hymns from the Sama-Veda during a ritual is called an udgat, a word derived from the Sanskrit root ud-gai ("to sing" or "to chant"). A similar word in English might be "cantor". The styles of chanting are important to the liturgical use of the verses. The hymns were to be sung according to certain fixed melodies; hence the name of the collection.

Samaveda consists of a selection of poetry mainly from the Rigveda, and some original matter. It has two parts, Purva-Archika (First Adoratona) and Uttar-Archika (Later Adoration), containing verses addressed to the three gods Agni (Fire), Indra (King of Gods) and Soma (Energizing Herb). The verses are not to be chanted anyhow, but to be sung in specifically indicated melodies using the seven svaras or notes. Such songs are called Samagana and in this sense Samaveda is really a book of hymns.

Atharvaveda

Atharvaveda means the Veda of the Wise and the Old. It is associated with the name of the ancient poet Atharvan (The Wise Old One). It is also called Atharva-Angirasa, being associated with the name of another rishi, Angiras. Although later in age, the Atharvaveda reveals a more primitive culture than the Rigveda. The custom is to enumerate Yajurveda and Samaveda after the Rigveda, and mention Atharvaveda last. Atharvaveda contains about 6 thousand verses forming 731 poems and a small portion in prose. About one seventh of the Atharvaveda text is common to the Rigveda.

Atharvaveda contains first class poetry coming from visionary poets, much of it being glorification of the curative powers of herbs and waters. Many poems relate to diseases like cough and jaundice, to male and female demons that cause diseases, to sweet-smelling herbs and magic amulets, which drive diseases away. There are poems relating to sins and their atonement, errors in performing rituals and their expiatory acts, political and philosophical issues, and a wonderful hymn to Prithvi or Mother Earth.

Vedas Wikipedia The Vedas describe Vimanas or space ships Upanishads

The Upanishads are regarded as part of the Vedas and as such form part of the Hindu scriptures. They primarily discuss philosophy, meditation, and the nature of God; they form the core spiritual thought of Vedantic Hinduism. Considered as mystic or spiritual contemplations of the Vedas, their putative end and essence, the Upanishads are known as Vedanta ("the end/culmination of the Vedas"). The Upanishads do not belong to a particular period of Sanskrit literature. The oldest, such as the Brhadaranyaka and Chandogya Upanishads, may date to the Brahmana period (roughly before the 31st century BC; before Gita was constructed), while the youngest, depending on the canon used, may date to the medieval or early modern period.

The word Upanishad comes from the Sanskrit verb sad (to sit) and the two prepositions upa and ni (under and at). They are sacred tests of spiritual and philosophical nature. Vedic literature is divided into karmakanda containing Samhitas (hymns) and Brahmanas (commentaries), and gyanakanda containing knowledge in the form of the Aranyakas and Upanishads. Thus each Upanishad is associated with a Veda, Isha-upanishad with Shukla Yajurveda, Kena-upanishad with Samaveda, and so on.

The earliest Upanishads may have been composed between B.C. 800 and 400.There have been several later additions, leading to 112 Upanishads being available today. But the major Upanishads are ten, Isha, Kena, Kattha, Prashna, Mundaka, Mandukya, Taittiriya, Aitareya, Shwetashwatara, Chhandogya and Brihadaryanyaka. The teachings of the Upanishads, and those of the Bhagavat Gita, form the basis of the Vedanta philosophy.

The Isha-upanishad emphasizes the identity of the human soul with the divine soul. The Kena-upanishad discusses the qualities of the divine essence (Brahman) and the relationship of the gods to the divine essence. The Katha-upanishad, through the story of Nachiketa, discussed death and the permanence of the soul (Atman). The fairly long Chhandogya-upanishad develops the idea of transmigration of souls. The rihadaryanaka -upanishad, the longest of the Upanishads, bears the message of the completeness of the divine essence, and the associated peace. As literary remnants of the ancient past, the Upanishads ­ both lucid and elegant - have great literary value.

 

OM BHUR BHUVAH SVAH TAT SAVITUR VARENYAM

BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACODAYAT

Om bhur bhuvah svah
tat-savitur varenyam
bhargo devasya dhimahi
dhiyo yo nah pracodayat

The Gayatri Mantra:

Om bhur bhuvah svah tat savitur varenyam
Bhargo devasya dhimahi dhiyo yo nah prachodayat

OM BHUR BHUVAH SVAH TAT SAVITUR VARENYAM

BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACHODAYAT

 

"Om, bhur, bhuvah, svah tat Savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat"

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
First Total
181
73
19
-
-
-
-
-
-
-
-
-
-
-
-
1+3
-
1+6
Add to Reduce
1+8+1
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Second Total
10
10
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
1
1
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
-
2
OM
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
4
BHUR
49
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
6
BHUVAH
62
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
4
SVAH
50
14
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
TAT
41
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
7
SAVITUR
110
29
2
-
-
2
-
-
-
-
-
-
-
V
=
4
-
8
VARENYAM
99
36
9
-
-
-
-
-
-
-
-
-
9
B
=
2
-
6
BHARGO
51
33
6
-
-
-
-
-
-
6
-
-
-
D
=
4
-
7
DEVASYA
77
23
5
-
-
-
-
-
5
-
-
-
-
D
=
4
-
7
DHIMAHI
52
43
7
-
-
-
-
-
-
-
7
-
-
D
=
4
-
5
DHIYO
61
34
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
-
2
YO
40
13
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
3
NAH
23
14
5
-
-
-
-
-
5
-
-
-
-
P
=
7
-
11
PRACHODAYAT
112
49
4
-
-
-
-
4
-
-
-
-
-
-
-
51
-
75
First Total
855
351
72
-
1
2
3
12
20
6
14
8
9
-
-
5+1
-
7+5
Add to Reduce
8+5+5
3+5+1
7+2
-
-
-
-
1+2
2+0
-
1+4
-
-
-
-
6
-
12
Second Total
18
9
9
-
1
2
3
3
2
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
3
Essence of Number
9
9
9
-
1
2
3
3
2
6
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
First Total
181
73
19
-
-
-
-
-
-
-
-
-
-
-
-
1+3
-
1+6
Add to Reduce
1+8+1
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Second Total
10
10
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
1
1
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
-
2
OM
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
4
BHUR
49
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
6
BHUVAH
62
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
4
SVAH
50
14
5
-
-
-
-
-
5
-
-
-
-
-
-
11
-
16
-
189
72
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
TAT
41
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
7
SAVITUR
110
29
2
-
-
2
-
-
-
-
-
-
-
V
=
4
-
8
VARENYAM
99
36
9
-
-
-
-
-
-
-
-
-
9
B
=
2
-
6
BHARGO
51
33
6
-
-
-
-
-
-
6
-
-
-
D
=
4
-
7
DEVASYA
77
23
5
-
-
-
-
-
5
-
-
-
-
-
-
13
-
31
-
378
126
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
D
=
4
-
7
DHIMAHI
52
43
7
-
-
-
-
-
-
-
7
-
-
D
=
4
-
5
DHIYO
61
34
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
-
2
YO
40
13
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
3
NAH
23
14
5
-
-
-
-
-
5
-
-
-
-
P
=
7
-
11
PRACHODAYAT
112
49
4
-
-
-
-
4
-
-
-
-
-
-
-
27
-
28
-
288
153
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
51
-
75
First Total
855
351
72
-
1
2
3
12
20
6
14
8
9
-
-
5+1
-
7+5
Add to Reduce
8+5+5
3+5+1
7+2
-
-
-
-
1+2
2+0
-
1+4
-
-
-
-
6
-
12
Second Total
18
9
9
-
1
2
3
3
2
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
3
Essence of Number
9
9
9
-
1
2
3
3
2
6
5
8
9

 

 

OM BHUR BHUVAH SVAH

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
First Total
181
73
19
-
-
-
-
-
-
-
-
-
-
-
-
1+3
-
1+6
Add to Reduce
1+8+1
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Second Total
10
10
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
1
1
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
-
2
OM
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
4
BHUR
49
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
6
BHUVAH
62
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
4
SVAH
50
14
5
-
-
-
-
-
5
-
-
-
-
-
-
11
-
16
First Total
189
72
18
-
1
2
3
4
5
3
7
8
9
-
-
1+1
-
1+6
Add to Reduce
1+8+9
7+2
1+8
-
-
-
-
-
-
-
-
-
-
-
-
2
-
7
Second Total
18
9
9
-
1
2
3
4
5
3
7
8
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
7
Essence of Number
9
9
9
-
1
2
3
4
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
First Total
181
73
19
-
-
-
-
-
-
-
-
-
-
-
-
1+3
-
1+6
Add to Reduce
1+8+1
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Second Total
10
10
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
1
1
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
-
2
OM
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
4
BHUR
49
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
6
BHUVAH
62
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
4
SVAH
50
14
5
-
-
-
-
-
5
-
-
-
-
-
-
11
-
16
-
189
72
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
TAT
41
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
7
SAVITUR
110
29
2
-
-
2
-
-
-
-
-
-
-
V
=
4
-
8
VARENYAM
99
36
9
-
-
-
-
-
-
-
-
-
9
B
=
2
-
6
BHARGO
51
33
6
-
-
-
-
-
-
6
-
-
-
D
=
4
-
7
DEVASYA
77
23
5
-
-
-
-
-
5
-
-
-
-
-
-
13
-
31
-
378
126
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
24
-
47
First Total
567
198
45
-
1
2
3
4
15
6
7
8
9
-
-
2+4
-
4+7
Add to Reduce
5+6+7
1+9+8
4+5
-
-
-
-
-
1+5
-
-
-
-
-
-
6
-
11
Second Total
18
18
9
-
1
2
3
4
6
6
7
8
9
-
-
-
-
1+1
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
2
Essence of Number
9
9
9
-
1
2
3
4
6
6
7
8
9

 

 

TAT SAVITUR VARENYAM

BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACHODAYAT

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
First Total
181
73
19
-
-
-
-
-
-
-
-
-
-
-
-
1+3
-
1+6
Add to Reduce
1+8+1
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Second Total
10
10
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
1
1
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
TAT
41
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
7
SAVITUR
110
29
2
-
-
2
-
-
-
-
-
-
-
V
=
4
-
8
VARENYAM
99
36
9
-
-
-
-
-
-
-
-
-
9
B
=
2
-
6
BHARGO
51
33
6
-
-
-
-
-
-
6
-
-
-
D
=
4
-
7
DEVASYA
77
23
5
-
-
-
-
-
5
-
-
-
-
-
-
13
-
31
-
378
126
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
D
=
4
-
7
DHIMAHI
52
43
7
-
-
-
-
-
-
-
7
-
-
D
=
4
-
5
DHIYO
61
34
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
-
2
YO
40
13
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
3
NAH
23
14
5
-
-
-
-
-
5
-
-
-
-
P
=
7
-
11
PRACHODAYAT
112
49
4
-
-
-
-
4
-
-
-
-
-
-
-
27
-
42
-
288
153
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
40
-
42
First Total
666
279
45
-
1
2
3
8
15
6
14
8
9
-
-
4+0
-
4+2
Add to Reduce
6+6+6
2+7+9
4+5
-
-
-
-
-
1+5
-
1+4
-
-
-
-
4
-
6
Second Total
18
18
9
-
1
2
3
8
6
6
5
8
9
-
-
-
-
-
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
6
Essence of Number
9
9
9
-
1
2
3
8
6
6
5
8
9

 

 

OM BHUR BHUVAH SVAH TAT SAVITUR VARENYAM

BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACHODAYAT

 

"Om, bhur, bhuvah, svah tat Savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat"

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
First Total
181
73
19
-
-
-
-
-
-
-
-
-
-
-
-
1+3
-
1+6
Add to Reduce
1+8+1
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Second Total
10
10
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
1
1
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
-
2
OM
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
4
BHUR
49
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
6
BHUVAH
62
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
4
SVAH
50
14
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
TAT
41
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
-
7
SAVITUR
110
29
2
-
-
2
-
-
-
-
-
-
-
V
=
4
-
8
VARENYAM
99
36
9
-
-
-
-
-
-
-
-
-
9
B
=
2
-
6
BHARGO
51
33
6
-
-
-
-
-
-
6
-
-
-
D
=
4
-
7
DEVASYA
77
23
5
-
-
-
-
-
5
-
-
-
-
D
=
4
-
7
DHIMAHI
52
43
7
-
-
-
-
-
-
-
7
-
-
D
=
4
-
5
DHIYO
61
34
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
-
2
YO
40
13
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
3
NAH
23
14
5
-
-
-
-
-
5
-
-
-
-
P
=
7
-
11
PRACHODAYAT
112
49
4
-
-
-
-
4
-
-
-
-
-
-
-
51
-
75
First Total
855
351
72
-
1
2
3
12
20
6
14
8
9
-
-
5+1
-
7+5
Add to Reduce
8+5+5
3+5+1
7+2
-
-
-
-
1+2
2+0
-
1+4
-
-
-
-
6
-
12
Second Total
18
9
9
-
1
2
3
3
2
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
3
Essence of Number
9
9
9
-
1
2
3
3
2
6
5
8
9

 

 

3
THE
33
15
6
5
VEDAS
51
15
6
8
-
84
30
12
-
-
8+4
3+0
1+2
8
-
12
3
3
-
-
1+2
-
-
8
-
3
3
3

 

 

3
THE
33
15
6
5
HOLY
60
24
6
5
VEDAS
51
15
6
13
-
144
54
18
1+3
-
1+4+4
5+4
1+8
4
-
9
9
9

 

 

5
VEDAS
51
15
6
6
AVESTA
68
14
5

 

 

-
GAYATRI
-
-
-
1
G
7
7
7
3
A+Y+A
27
9
9
1
T
20
2
2
1
R
18
9
9
1
I
9
9
9
7
GAYATRI
81
36
36
-
-
8+1
3+6
3+6
7
GAYATRI
9
9
9

 

 

The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, ... www.gurjari.net/ico/Mystica/html/gayatri_mantra.htm

 

Gayatri is a metre of the Rig-Veda (see Veda) consisting of 24 syllables. This metre has been used in a number of Rig Vedic mantras. The syllables are arranged differently for different mantras, the most common being a triplet of eight syllables each. The Gayatri or the Savitri mantra composed in this triplet form is the most famous and sacred of all mantras. It is a prayer in honour of the Sun, also called Savitur.

 

The Gayatri with the Mahavyahritis is uttered as- Om, bhur, bhuvah, svah tat Savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat This mantra is believed to have been composed by Sage Vishvamitra. According to others, however, it is so ancient that the four Vedas were born of it.

Initially, this mantra was a simple invocation to the Sun to bless all on earth. Gradually it came to be regarded as a mystic formula of universal power. This was probably due to its simplicity and its power to evolve the idealistic notion of a world that originated from an all-pervading Intelligence.

According to the Skanda Purana, nothing in the Vedas is superior to the Gayatri. No invocation is equal to it just as no city is equal to Kashi (see Tirtha). The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, Shiva and the Vedas.

According to the Aitareya Brahmana (see Brahmana), those who desire to go to heaven should recite this mantra a thousand times. The Gayatri Mantra must be recited by all 'twice-born' (see Upanayanam) Hindus, Gayatri Mantra especially the Brahmins, who are expected to recite it every morning and evening. This mantra was however not allowed be reciting or even hearing by a Shudra or a woman. In the early Vedic age however, the status of women was considerably higher than in the later Vedic age. Rishinis or women rishis like Gargi and Lopamudra are said to have undergone the Upanayanam and the former indeed, engaged in debate none less than the law giver, Yajnavalkya. Later, when this mantra became exclusive to 'twice-born' males, care was taken not to recite it loudly.

The Gayatri Mantra is also recited at various rituals pertaining to divine worship and the ritual of the manes (see Shradha). It is said that the recitation of the Gayatri five times a day is as effective as performing the panchamahayagya.

This mantra is taught for the first time during the Upanayanam ceremony when the guru whispers it into the ears of the newly Recitation of the Pupil (brahmopadesham). Thereafter the pupil is expected to recite it every morning and evening throughout his life

It should ideally be recited 16 times a day. To keep track, the right hand is used. When the mantra is recited the first time, the thumb is placed on the third joint of the ring finger and is held there till the mantra is complete. With each completion, the thumb moves one more joints, down the ring finger, up the little finger, over the tips, down the index finger, up the middle finger and the sixteenth recitation is completed on the third joint of the middle finger. When reciting the Gayatri Mantra, the sacred thread (see Upanayanam) is held across the thumb of the right hand.

The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, ... www.gurjari.net/ico/Mystica/html/gayatri_mantra.htm

 

Gayatri is the Mother of the Vedas

 

-
GAYATRI
-
-
-
1
G
7
7
7
3
A+Y+A
27
9
9
1
T
20
2
2
1
R
18
9
9
1
I
9
9
9
7
GAYATRI
81
36
36
-
-
8+1
3+6
3+6
7
GAYATRI
9
9
9

 

 

-
7
G
A
Y
A
T
R
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
+
=
9
-
=
9
=
9
=
9
-
-
-
-
-
-
-
-
9
+
=
9
-
=
9
=
9
=
9
-
7
G
A
Y
A
T
R
I
-
-
-
-
-
-
-
-
-
-
-
-
7
1
7
1
2
9
-
+
=
72
7+2
=
9
=
9
=
9
-``
-
7
1
25
1
20
18
-
+
=
27
2+7
=
9
=
9
=
9
-
7
G
A
Y
A
T
R
I
-
-
-
-
-
-
-
-
-
-
-
-
7
1
25
1
20
18
9
+
=
81
8+1
=
9
=
9
=
9
-
-
7
1
7
1
2
9
9
+
=
36
3+6
=
9
=
9
=
9
-
7
G
A
Y
A
T
R
I
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
3
THREE
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
FOUR
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
FIVE
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
-
-
-
-
7
-
7
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
9
9
-
-
9
occurs
x
2
=
18
1+8
9
26
7
G
A
Y
A
T
R
I
-
-
19
-
-
7
-
36
-
18
2+6
-
-
-
-
-
-
9
9
-
-
1+9
-
-
-
-
3+6
-
1+8
8
7
G
A
Y
A
T
R
I
-
-
10
-
-
7
-
9
-
9
-
-
7
1
7
1
2
9
9
-
-
1+0
-
-
-
-
-
-
-
8
7
G
A
Y
A
T
R
I
-
-
1
-
-
7
-
9
-
9

 

 

-
7
G
A
Y
A
T
R
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
+
=
9
-
=
9
=
9
=
9
-
-
-
-
-
-
-
-
9
+
=
9
-
=
9
=
9
=
9
-
7
G
A
Y
A
T
R
I
-
-
-
-
-
-
-
-
-
-
-
-
7
1
7
1
2
9
-
+
=
72
7+2
=
9
=
9
=
9
-``
-
7
1
25
1
20
18
-
+
=
27
2+7
=
9
=
9
=
9
-
7
G
A
Y
A
T
R
I
-
-
-
-
-
-
-
-
-
-
-
-
7
1
25
1
20
18
9
+
=
81
8+1
=
9
=
9
=
9
-
-
7
1
7
1
2
9
9
+
=
36
3+6
=
9
=
9
=
9
-
7
G
A
Y
A
T
R
I
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
7
-
7
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
-
-
9
9
-
-
9
occurs
x
2
=
18
1+8
9
26
7
G
A
Y
A
T
R
I
-
-
19
-
-
7
-
36
-
18
2+6
-
-
-
-
-
-
9
9
-
-
1+9
-
-
-
-
3+6
-
1+8
8
7
G
A
Y
A
T
R
I
-
-
10
-
-
7
-
9
-
9
-
-
7
1
7
1
2
9
9
-
-
1+0
-
-
-
-
-
-
-
8
7
G
A
Y
A
T
R
I
-
-
1
-
-
7
-
9
-
9

 

 

-
GAYATRI
-
-
-
1
G
7
7
7
3
AYA
27
9
9
1
T
20
2
2
1
R
18
9
9
1
I
9
9
5
7
-GAYATRI
81
36
9
-
-
8+1
3+6
-
7
-
9
9
9

 

 

-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
T
=
2
-
3
THE
33
15
6
G
=
7
-
7
GAYATRI
81
36
9
M
=
4
-
6
MANTRA
67
22
4
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
-
1+3
-
1+6
-
1+8+0
7+3
1+9
-
-
4
-
7
THE GAYATR1 MANTRA
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
4
-
7
THE GAYATR1 MANTRA
1
1
1

 

 

-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
3
-
33
15
15
-
-
-
-
-
-
-
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
36
-
7
-
81
36
36
-
-
-
-
-
-
-
-
-
-
M
=
4
11
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
N
=
5
13
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
14
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
R
=
9
15
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
16
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
27
-
6
-
67
27
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
-
4
6
3
4
10
6
14
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
1+4
-
2+7
G
=
7
-
7
GAYATRI
81
36
9
-
4
6
3
4
1
6
5
8
9
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
4
6
3
4
1
6
5
8
9
-
-
1+3
-
1+6
-
1+8+0
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
THE GAYATR1 MANTRA
10
10
10
-
4
6
3
4
1
6
5
8
9
-
-
-
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
THE GAYATR1 MANTRA
1
1
1
-
4
6
3
4
1
6
5
8
9

 

 

-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
6
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
3
-
-
6
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
3
-
-
6
7
-
-
A
=
1
5
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
Y
=
7
6
1
Y
25
7
7
-
-
-
3
-
-
6
7
-
-
A
=
1
7
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
R
=
9
9
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
I
=
9
10
1
I
9
9
9
-
-
-
3
-
-
6
-
-
9
M
=
4
11
1
M
13
4
4
-
-
-
3
4
-
6
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
N
=
5
13
1
N
14
5
5
-
-
-
3
-
5
6
-
-
-
T
=
2
14
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
R
=
9
15
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
A
=
1
16
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
-
4
6
3
4
10
6
14
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
1+4
-
2+7
G
=
7
-
7
GAYATRI
81
36
9
-
4
6
3
4
1
6
5
8
9
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
4
6
3
4
1
6
5
8
9
-
-
1+3
-
1+6
-
1+8+0
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
THE GAYATR1 MANTRA
10
10
10
-
4
6
3
4
1
6
5
8
9
-
-
-
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
THE GAYATR1 MANTRA
1
1
1
-
4
6
3
4
1
6
5
8
9

 

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

 

-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
6
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
A
=
1
16
1
A
1
1
1
-
1
-
3
-
-
6
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
T
=
2
14
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
3
-
-
6
-
-
-
M
=
4
11
1
M
13
4
4
-
-
-
3
4
-
6
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
3
-
5
6
-
-
-
N
=
5
13
1
N
14
5
5
-
-
-
3
-
5
6
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
3
-
-
6
7
-
-
Y
=
7
6
1
Y
25
7
7
-
-
-
3
-
-
6
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
3
-
-
6
-
8
-
R
=
9
9
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
I
=
9
10
1
I
9
9
9
-
-
-
3
-
-
6
-
-
9
R
=
9
15
1
R
18
9
9
-
-
-
3
-
-
6
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
-
4
6
3
4
10
6
14
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
1+4
-
2+7
G
=
7
-
7
GAYATRI
81
36
9
-
4
6
3
4
1
6
5
8
9
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
4
6
3
4
1
6
5
8
9
-
-
1+3
-
1+6
-
1+8+0
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
THE GAYATR1 MANTRA
10
10
10
-
4
6
3
4
1
6
5
8
9
-
-
-
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
THE GAYATR1 MANTRA
1
1
1
-
4
6
3
4
1
6
5
8
9

 

 

-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
-
1
2
4
5
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
G
=
7
-
7
GAYATRI
81
36
9
-
-
-
-
-
-
-
-
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
1
2
4
5
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
A
=
1
12
1
A
1
1
1
-
1
-
-
-
-
-
-
A
=
1
16
1
A
1
1
1
-
1
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
14
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
M
=
4
11
1
M
13
4
4
-
-
-
4
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
5
-
-
-
N
=
5
13
1
N
14
5
5
-
-
-
-
5
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
7
-
-
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
8
-
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
-
9
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
9
R
=
9
15
1
R
18
9
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16
THE GAYATR1 MANTRA
-
-
-
-
4
6
4
10
14
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
1+0
1+4
-
2+7
G
=
7
-
7
GAYATRI
81
36
9
-
4
6
4
1
5
8
9
M
=
4
-
6
MANTRA
67
22
4
-
-
-
-
-
-
-
-
-
-
13
-
16
THE GAYATR1 MANTRA
181
73
19
-
4
6
4
1
5
8
9
-
-
1+3
-
1+6
-
1+8+0
7+3
1+9
-
-
-
-
-
-
-
-
-
-
4
-
7
THE GAYATR1 MANTRA
10
10
10
-
4
6
4
1
5
8
9
-
-
-
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
4
-
7
THE GAYATR1 MANTRA
1
1
1
-
4
6
4
1
5
8
9

 

 

7
-GAYATRI
81
36
9
7
-GAIA
18
18
9

 

 

SRI KRISHNA'S REMEMBERING

'Many lives Arjuna, you and I have lived.

I remember them all but thou dost not.'

Bhagavad Gita, iv, 5., iv, 5.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
1
4
MANY
53
17
8
-
-
-
-
-
-
-
-
8
-
L
=
3
2
5
LIVES
67
22
4
-
-
-
-
4
-
-
-
-
-
A
=
1
3
6
ARJUNA
65
20
2
-
-
2
-
-
-
-
-
-
-
Y
=
1
4
3
YOU
61
16
7
-
-
-
-
-
-
-
7
-
-
A
=
1
5
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
6
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
H
=
4
7
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
L
=
6
8
5
LIVED
52
25
7
-
-
-
-
-
-
-
7
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
10
8
REMEMBER
79
43
7
-
-
-
-
-
-
-
7
-
-
T
=
2
11
4
THEM
46
19
1
-
1
-
-
-
-
-
-
-
-
A
=
1
12
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
B
=
2
13
3
BUT
43
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
14
4
THOU
64
19
1
-
1
-
-
-
-
-
-
-
-
D
=
4
15
4
DOST
58
13
4
-
-
-
-
4
-
-
-
-
-
N
=
5
16
3
NOT
49
13
4
-
-
-
-
4
-
-
-
-
-
-
-
67
-
61
First Total
735
267
87
-
3
2
3
12
5
6
35
8
27
-
-
6+7
-
6+1
Add to Reduce
7+3+5
2+6+7
8+7
-
-
-
-
1+2
-
-
3+5
-
2+7
-
-
13
-
7
Second Total
15
15
6
-
3
2
3
3
5
6
8
8
9
-
-
1+3
-
-
Reduce to Deduce
1+5
1+5
1+5
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
6
6
6
-
3
2
3
3
5
6
8
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
4
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
1
4
MANY
53
17
8
-
-
-
-
-
8
-
L
=
3
2
5
LIVES
67
22
4
-
-
-
4
-
-
-
A
=
1
3
6
ARJUNA
65
20
2
-
-
2
-
-
-
-
Y
=
1
4
3
YOU
61
16
7
-
-
-
-
7
-
-
A
=
1
5
3
AND
19
10
1
-
1
-
-
-
-
-
I
=
9
6
1
I
9
9
9
-
-
-
-
-
-
9
H
=
4
7
4
HAVE
36
18
9
-
-
-
-
-
-
9
L
=
6
8
5
LIVED
52
25
7
-
-
-
-
7
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
9
R
=
9
10
8
REMEMBER
79
43
7
-
-
-
-
7
-
-
T
=
2
11
4
THEM
46
19
1
-
1
-
-
-
-
-
A
=
1
12
3
ALL
25
7
7
-
-
-
-
7
-
-
B
=
2
13
3
BUT
43
7
7
-
-
-
-
7
-
-
T
=
2
14
4
THOU
64
19
1
-
1
-
-
-
-
-
D
=
4
15
4
DOST
58
13
4
-
-
-
4
-
-
-
N
=
5
16
3
NOT
49
13
4
-
-
-
4
-
-
-
-
-
67
-
61
First Total
735
267
87
-
3
2
12
35
8
27
-
-
6+7
-
6+1
Add to Reduce
7+3+5
2+6+7
8+7
-
-
-
1+2
3+5
-
2+7
-
-
13
-
7
Second Total
15
15
6
-
3
2
3
8
8
9
-
-
1+3
-
-
Reduce to Deduce
1+5
1+5
1+5
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
6
6
6
-
3
2
3
8
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
4
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
1
4
MANY
53
17
8
-
-
-
-
-
8
-
L
=
3
2
5
LIVES
67
22
4
-
-
-
4
-
-
-
A
=
1
3
6
ARJUNA
65
20
2
-
-
2
-
-
-
-
Y
=
1
4
3
YOU
61
16
7
-
-
-
-
7
-
-
A
=
1
5
3
AND
19
10
1
-
1
-
-
-
-
-
I
=
9
6
1
I
9
9
9
-
-
-
-
-
-
9
H
=
4
7
4
HAVE
36
18
9
-
-
-
-
-
-
9
L
=
6
8
5
LIVED
52
25
7
-
-
-
-
7
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
9
R
=
9
10
8
REMEMBER
79
43
7
-
-
-
-
7
-
-
T
=
2
11
4
THEM
46
19
1
-
1
-
-
-
-
-
A
=
1
12
3
ALL
25
7
7
-
-
-
-
7
-
-
B
=
2
13
3
BUT
43
7
7
-
-
-
-
7
-
-
T
=
2
14
4
THOU
64
19
1
-
1
-
-
-
-
-
D
=
4
15
4
DOST
58
13
4
-
-
-
4
-
-
-
N
=
5
16
3
NOT
49
13
4
-
-
-
4
-
-
-
-
-
67
-
61
First Total
735
267
87
-
3
2
12
35
8
27
-
-
6+7
-
6+1
Add to Reduce
7+3+5
2+6+7
8+7
-
-
-
1+2
3+5
-
2+7
-
-
13
-
7
Second Total
15
15
6
-
3
2
3
8
8
9
-
-
1+3
-
-
Reduce to Deduce
1+5
1+5
1+5
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
6
6
6
-
3
2
3
8
8
9

 

SRI KRISHNA'S REMEMBERING

'Many lives Arjuna, you and I have lived.

I remember them all but thou dost not.'

Bhagavad Gita, iv, 5., iv, 5.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
5
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
11
4
THEM
46
19
1
-
1
-
-
-
-
-
-
-
-
T
=
2
14
4
THOU
64
19
1
-
1
-
-
-
-
-
-
-
-
A
=
1
3
6
ARJUNA
65
20
2
-
-
2
-
-
-
-
-
-
-
L
=
3
2
5
LIVES
67
22
4
-
-
-
-
4
-
-
-
-
-
D
=
4
15
4
DOST
58
13
4
-
-
-
-
4
-
-
-
-
-
N
=
5
16
3
NOT
49
13
4
-
-
-
-
4
-
-
-
-
-
Y
=
1
4
3
YOU
61
16
7
-
-
-
-
-
-
-
7
-
-
L
=
6
8
5
LIVED
52
25
7
-
-
-
-
-
-
-
7
-
-
R
=
9
10
8
REMEMBER
79
43
7
-
-
-
-
-
-
-
7
-
-
A
=
1
12
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
B
=
2
13
3
BUT
43
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
1
4
MANY
53
17
8
-
-
-
-
-
-
-
-
8
-
I
=
9
6
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
H
=
4
7
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
67
-
61
First Total
735
267
87
-
3
2
3
12
5
6
35
8
27
-
-
6+7
-
6+1
Add to Reduce
7+3+5
2+6+7
8+7
-
-
-
-
1+2
-
-
3+5
-
2+7
-
-
13
-
7
Second Total
15
15
6
-
3
2
3
3
5
6
8
8
9
-
-
1+3
-
-
Reduce to Deduce
1+5
1+5
1+5
-
-
-
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
6
6
6
-
3
2
3
3
5
6
8
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
4
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
5
3
AND
19
10
1
-
1
-
-
-
-
-
T
=
2
11
4
THEM
46
19
1
-
1
-
-
-
-
-
T
=
2
14
4
THOU
64
19
1
-
1
-
-
-
-
-
A
=
1
3
6
ARJUNA
65
20
2
-
-
2
-
-
-
-
L
=
3
2
5
LIVES
67
22
4
-
-
-
4
-
-
-
D
=
4
15
4
DOST
58
13
4
-
-
-
4
-
-
-
N
=
5
16
3
NOT
49
13
4
-
-
-
4
-
-
-
Y
=
1
4
3
YOU
61
16
7
-
-
-
-
7
-
-
L
=
6
8
5
LIVED
52
25
7
-
-
-
-
7
-
-
R
=
9
10
8
REMEMBER
79
43
7
-
-
-
-
7
-
-
A
=
1
12
3
ALL
25
7
7
-
-
-
-
7
-
-
B
=
2
13
3
BUT
43
7
7
-
-
-
-
7
-
-
M
=
4
1
4
MANY
53
17
8
-
-
-
-
-
8
-
I
=
9
6
1
I
9
9
9
-
-
-
-
-
-
9
H
=
4
7
4
HAVE
36
18
9
-
-
-
-
-
-
9
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
9
-
-
67
-
61
First Total
735
267
87
-
3
2
12
35
8
27
-
-
6+7
-
6+1
Add to Reduce
7+3+5
2+6+7
8+7
-
-
-
1+2
3+5
-
2+7
-
-
13
-
7
Second Total
15
15
6
-
3
2
3
8
8
9
-
-
1+3
-
-
Reduce to Deduce
1+5
1+5
1+5
-
-
-
-
-
-
-
-
-
4
-
7
Essence of Number
6
6
6
-
3
2
3
8
8
9

 

 

T
=
2
-
3
THE
33
15
6
H
=
8
-
4
HOLY
60
24
6
W
=
5
-
4
WORD
60
24
6
Q
Q
15
Q
11
Q
153
63
18
-
-
1+5
-
1+1
-
1+5+3
6+3
1+8
-
-
6
-
2
-
9
9
9

 

 

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
Z
=
8
-
4
ZERO
64
28
1
C
=
3
-
6
COMETH
64
28
1
O
=
6
-
3
ONE
34
16
7
Q
Q
29
Q
18
Q
239
95
14
-
-
2+9
-
1+8
-
2+3+9
9+5
1+4
-
-
11
-
9
-
14
14
5
-
-
1+1
-
-
-
1+4
1+4
-
-
-
2
-
9
-
5
5
5

 

 

Adi Parashakti
From Wikipedia, the free encyclopedia

According to Shaktism and Hindu mythology, Adi Para Shakti—the Goddess, Devi—is the Supreme Being. She is also popularly referred to as "Adi Shakti", "Parama Shakti", "Maha Shakti", "Mahadevi", or even simply as "Shakti". "Parama" means absolute, "Satya" means the Truth as per many shakta texts.[1] The Devi Bhagawata Mahapurana states that Adi Parashakti is the original creator, observer and destroyer of the whole universe.
As per Shaktism, Adi Parashakti appeared as Divine Pure Eternal Consciousness i.e. Shoonya Bindu, the divine zero feminine energy, which then expresses itself as prakriti (Universal Nature).[2] Hence Adi Parashakti is Parama Prakriti.
Goddess Lalita Tripura Sundari is the original manifested form of Mother Adi-Parashakti. Goddess Parvati/Durga is Adi- Parashakti herself and is the perfect incarnation of Lalita Tripura Sundari . Goddess Lalita Tripura Sundari, the goddess of power and beauty, is considered as her saguna svarupa (Manifested form). That is, Lalita Tripura Sundari is the truest material form of the Goddess, possessing the three qualities (Sattva, rajas, or tamas). However, the Goddess Adi Para Shakti is also considered to be truly supreme spirit without form (Param Atman). She is the Great Goddess, and therefore the source of all other goddesses. She is supreme and regarded as the "Absolute Truth" in Shaktism.

Etymology[edit]
Adi Parashakti means "The Eternally Limitless Power". That is, she is the Power beyond this universe. She is the active energy that both creates and dissolves the entire universe

ADIPARASHAKTI

 

 

A
=
1
-
3
ADI
14
14
5
P
=
7
-
4
PARA
36
18
9
S
=
1
-
6
SHAKTI
68
32
5
Q
Q
9
Q
13
Q
118
64
19
-
-
-
-
1+3
-
1+1+8
6+4
1+9
-
-
9
-
4
-
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
9
-
4
-
1
1
1

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
ADI PARA SHAKTI
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
1
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
D
=
4
2
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
I
=
9
3
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
14
-
3
-
14
14
14
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
4
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
18
-
4
-
36
18
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
H
=
8
9
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
10
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
K
=
2
11
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
23
-
4
-
68
32
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
55
-
13
ADI PARA SHAKTI
118
64
19
-
5
4
3
4
5
6
7
8
27
-
-
5+5
-
1+3
-
1+1+8
6+4
1+9
-
-
-
-
-
-
-
-
-
2+7
-
-
10
-
4
ADI PARA SHAKTI-
10
10
10
-
5
4
3
4
5
6
7
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
4
-ADI PARA SHAKTI
1
1
1
-
5
4
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
4
7
8
9
-
-
-
-
-
ADI PARA SHAKTI
-
-
-
-
-
-
-
-
-
-
A
=
1
1
1
A
1
1
1
-
1
-
-
-
-
-
D
=
4
2
1
D
4
4
4
-
-
-
4
-
-
-
I
=
9
3
1
I
9
9
9
-
-
-
-
-
-
9
-
-
14
-
3
-
14
14
14
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
4
1
P
16
7
7
-
-
-
-
7
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
9
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
18
-
4
-
36
18
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
-
H
=
8
9
1
H
8
8
8
-
-
-
-
-
8
-
A
=
1
10
1
A
1
1
1
-
1
-
-
-
-
-
K
=
2
11
1
K
11
2
2
-
-
2
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
9
-
-
23
-
4
-
68
32
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
55
-
13
ADI PARA SHAKTI
118
64
19
-
5
4
4
7
8
27
-
-
5+5
-
1+3
-
1+1+8
6+4
1+9
-
-
-
-
-
-
2+7
-
-
10
-
4
ADI PARA SHAKTI-
10
10
10
-
5
4
4
7
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
1
-
4
-ADI PARA SHAKTI
1
1
1
-
5
4
4
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
4
7
8
9
-
-
-
-
-
ADI PARA SHAKTI
-
-
-
-
-
-
-
-
-
-
A
=
1
1
1
A
1
1
1
-
1
-
-
-
-
-
D
=
4
2
1
D
4
4
4
-
-
-
4
-
-
-
I
=
9
3
1
I
9
9
9
-
-
-
-
-
-
9
P
=
7
4
1
P
16
7
7
-
-
-
-
7
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
9
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
-
H
=
8
9
1
H
8
8
8
-
-
-
-
-
8
-
A
=
1
10
1
A
1
1
1
-
1
-
-
-
-
-
K
=
2
11
1
K
11
2
2
-
-
2
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
9
-
-
55
-
13
ADI PARA SHAKTI
118
64
19
-
5
4
4
7
8
27
-
-
5+5
-
1+3
-
1+1+8
6+4
1+9
-
-
-
-
-
-
2+7
-
-
10
-
4
ADI PARA SHAKTI-
10
10
10
-
5
4
4
7
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
1
-
4
-ADI PARA SHAKTI
1
1
1
-
5
4
4
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
4
7
8
9
-
-
-
-
-
ADI PARA SHAKTI
-
-
-
-
-
-
-
-
-
-
A
=
1
1
1
A
1
1
1
-
1
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
-
A
=
1
10
1
A
1
1
1
-
1
-
-
-
-
-
K
=
2
11
1
K
11
2
2
-
-
2
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
-
D
=
4
2
1
D
4
4
4
-
-
-
4
-
-
-
P
=
7
4
1
P
16
7
7
-
-
-
-
7
-
-
H
=
8
9
1
H
8
8
8
-
-
-
-
-
8
-
I
=
9
3
1
I
9
9
9
-
-
-
-
-
-
9
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
9
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
9
-
-
55
-
13
ADI PARA SHAKTI
118
64
19
-
5
4
4
7
8
27
-
-
5+5
-
1+3
-
1+1+8
6+4
1+9
-
-
-
-
-
-
2+7
-
-
10
-
4
ADI PARA SHAKTI-
10
10
10
-
5
4
4
7
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
1
-
4
-ADI PARA SHAKTI
1
1
1
-
5
4
4
7
8
9

 

 

-
-
-
-
AUM MANI PADME HUM
-
-
-
A
=
1
3
AUM
35
8
8
M
=
4
4
MANI
37
19
1
P
=
7
5
PADME
39
21
3
H
=
8
3
HUM
42
15
6
-
-
20
15
AUM MANI PADME HUM
153
63
18
-
-
2+0
1+5
-
1+5+3
6+3
1+8
-
-
2
6
AUM MANI PADME HUM
9
9
9

 

 

-
15
A
U
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
5
9
-
-
-
-
-
-
-
8
-
-
+
=
22
2+2
=
4
=
4
=
4
-
-
-
-
-
-
-
-
14
9
-
-
-
-
-
-
-
8
-
-
+
=
31
3+1
=
4
=
4
=
4
-
15
A
U
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
--
-
-
-
-
-
-
1
3
4
-
4
1
-
-
-
7
1
4
4
5
-
-
3
4
+
=
41
4+1
=
5
=
5
=
5
-
`-
1
21
13
-
13
1
-
-
-
16
1
4
13
5
-
-
21
13
+
=
122
1+2+2
=
5
=
5
=
5
-
15
A
U
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
--
-
-
-
-
-
`-
1
21
13
-
13
1
14
9
-
16
1
4
13
5
-
8
21
13
+
=
153
1+5+3
=
9
=
9
=
9
-
-
1
3
4
-
4
1
5
9
-
7
1
4
4
5
-
8
3
4
+
=
63
6+3
=
9
=
9
=
9
-
15
A
U
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
occurs
x
3
=
3
=
3
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
4
-
4
-
-
-
-
-
-
4
4
-
-
-
-
4
-
-
4
occurs
x
5
=
20
2+0
2
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
8
15
A
U
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
37
-
-
15
-
63
-
36
-
1+5
-
-
4
-
4
-
-
-
-
-
-
4
4
-
-
-
-
4
-
-
3+7
-
-
1+5
-
6+3
-
3+6
8
6
A
U
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
10
-
-
6
-
9
-
9
-
-
1
3
4
-
4
1
5
9
-
7
1
4
4
5
-
8
3
4
-
-
1+0
-
-
-
-
-
-
-
8
6
A
U
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
1
-
-
6
-
9
-
9

 

 

-
-
-
-
AUM MANI PADME HUM
-
-
-
A
=
1
3
AUM
35
8
8
M
=
4
4
MANI
37
19
1
P
=
7
5
PADME
39
21
3
H
=
8
3
HUM
42
15
6
-
-
20
15
AUM MANI PADME HUM
153
63
18
-
-
2+0
1+5
-
1+5+3
6+3
1+8
-
-
2
6
AUM MANI PADME HUM
9
9
9

 

 

-
-
-
-
AUM MANE PADME HUM
-
-
-
A
=
1
3
AUM
35
8
8
M
=
4
4
MANE
33
15
6
P
=
7
5
PADME
39
21
3
H
=
8
3
HUM
42
15
6
-
-
20
15
AUM MANE PADME HUM
149
59
23
-
-
2+0
1+5
-
1+4+9
5+9
2+3
-
-
2
6
AUM MANE PADME HUM
14
14
5
-
-
-
-
-
1+4
1+4
-
-
-
2
6
AUM MANE PADME HUM
5
5
5

 

 

-
OM MANI PADME HUM
-
-
-
2
OM
28
10
1
4
MANI
37
19
1
5
PADME
39
21
3
3
HUM
42
15
6
14
OM MANI PADME HUM
146
65
11
1+4
-
1+4+6
6+5
1+1
5
OM MANI PADME HUM
11
11
2
-
-
1+1
1+1
-
5
OM MANI PADME HUM
2
2
2

 

 

-
OM-MA-NI-PAD-ME-HUM
-
-
-
-
O+M
28
10
1
-
M+A
14
5
5
-
N+I
23
14
5
-
P+A+D
21
12
3
-
M+E
18
9
9
-
H+U+M
42
15
6
14
OM-MA-NI-PAD-ME-HUM
146
65
29
1+4
-
1+4+6
6+5
1+1
-
OM-MA-NI-PAD-ME-HUM
11
11
11
-
-
1+1
1+1
1+1
5
OM-MA-NI-PAD-ME-HUM
2
2
2

 

 

14
OM-MA-NI-PAD-ME-HUM
146
65
2
14
OM-MA-NE-PAD-ME-HUM
142
61
7

 

 

-
OM-MA-NE-PAD-ME-HUM
-
-
-
-
O+M
28
10
1
-
M+A
14
5
5
-
N+E
19
10
1
-
P+A+D
21
12
3
-
M+E
18
9
9
-
H+U+M
42
15
6
14
OM-MA-NE-PAD-ME-HUM
142
61
25
1+4
-
1+4+2
6+1
2+5
5
OM-MA-NE-PAD-ME-HUM
7
7
7

 

 

14
OM-MA-NI-PAD-ME-HUM
146
65
2
14
OM-MA-NE-PAD-ME-HUM
142
61
7
14
AUM-MA-NE-PAD-ME-HUM
153
63
9

 

 

8
YAMA-RAJA
-
-
-
-4
YAMA
40
13
4
4
RAJA
30
12
3
8
YAMA-RAJA
70
25
7
-
-
7+0
2+5
-
8
YAMA-RAJA
7
7
7

 

 

-
OM MANI PADME HUM
-
-
-
2
OM
28
10
1
4
MANI
37
19
1
5
PADME
39
21
3
3
HUM
42
15
6
14
First Total
146
65
11
1+4
Add to Reduce
1+4+6
6+5
1+1
5
Second Total
11
11
2
-
Reduce to Deduce
1+1
1+1
-
5
Essence of Number
2
2
2

 

 

-
OM-MA-NI-PAD-ME-HUM
-
-
-
-
O+M
28
10
1
-
M+A
14
5
5
-
N+I
23
14
5
-
P+A+D
21
12
3
-
M+E
18
9
9
-
H+U+M
42
15
6
14
OM-MA-NI-PAD-ME-HUM
146
65
29
1+4
-
1+4+6
6+5
2+9
5
OM-MA-NI-PAD-ME-HUM
11
11
11
-
-
1+1
1+1
1+1
5
OM-MA-NI-PAD-ME-HUM
2
2
2

 

 

14
OM-MA-NI-PAD-ME-HUM
146
65
2
14
OM-MA-NE-PAD-ME-HUM
142
61
7

 

 

-
OM MANI PADME HUM
-
-
-
2
OM
28
10
1
4
MANI
37
19
1
5
PADME
39
21
3
3
HUM
42
15
6
14
OM MANI PADME HUM
146
65
11
1+4
-
1+4+6
6+5
1+1
5
OM MANI PADME HUM
11
11
2
-
-
1+1
1+1
-
5
OM MANI PADME HUM
2
2
2

 

Om mani padme hum

From Wikipedia, the free encyclopedia
Om mani padme hum
Om-mani-padme-hum
The mantra in Tibetan
with the six syllables colored

Tibetan name
Om mani padme hum is the six-syllabled Sanskrit mantra particularly associated with the four-armed Shadakshari form of Avalokiteshvara (Tibetan: Chenrezig, Chinese: ?? Guanyin, Japanese: Kannon), the bodhisattva of compassion.

The first word Om is a sacred syllable found in Indian religions. The word Mani means "jewel" or "bead", Padme is the "lotus flower" (the Buddhist sacred flower), and Hum represents the spirit of enlightenment.[2][3]

It is commonly carved onto rocks, known as mani stones, or else it is written on paper which is inserted into prayer wheels. When an individual spins the wheel, it is said that the effect is the same as reciting the mantra as many times as it is

 

-
OM MANI PADME HUM
-
-
-
2
OM
28
10
1
4
MANI
37
19
1
5
PADME
39
21
3
3
HUM
42
15
6
14
First Total
146
65
11
1+4
Add to Reduce
1+4+6
6+5
1+1
5
Second Total
11
11
2
-
Reduce to Deduce
1+1
1+1
-
5
Essence of Number
2
2
2

 

 

-
OM-MA-NI-PAD-ME-HUM
-
-
-
-
O+M
28
10
1
-
M+A
14
5
5
-
N+I
23
14
5
-
P+A+D
21
12
3
-
M+E
18
9
9
-
H+U+M
42
15
6
14
OM-MA-NI-PAD-ME-HUM
146
65
29
1+4
-
1+4+6
6+5
2+9
-
-
11
11
11
-
-
1+1
1+1
1+1
5
OM-MA-NI-PAD-ME-HUM
2
2
2

 

 

-
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
-
`-
6
-
-
-
-
5
9
-
-
-
-
-
-
-
8
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
-
15
-
-
-
-
14
9
-
-
-
-
-
-
-
8
-
-
+
=
46
4+6
=
10
1+0
1
=
1
-
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
1
-
-
-
7
1
4
4
5
-
-
3
4
+
=
37
3+7
=
10
1+0
1
=
1
-
`-
`-
13
-
13
1
-
-
-
16
1
4
13
5
-
-
21
13
+
=
100
1+0+0
=
1
1+0
1
=
1
-
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
-
`-
15
13
-
13
1
14
9
-
16
1
4
13
5
-
8
21
13
+
=
146
1+4+6
=
11
1+1
2
=
2
-
-
6
4
-
4
1
5
9
-
7
1
4
4
5
-
8
3
4
+
=
65
6+5
=
11
1+1
2
=
2
-
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
4
-
4
-
-
-
-
-
-
4
4
-
-
-
-
4
-
-
4
occurs
x
5
=
20
2+0
2
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
2
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
43
-
-
14
-
65
=
38
-
1+4
-
4
-
4
-
-
-
-
-
-
4
4
-
-
-
-
4
-
-
4+3
-
-
1+4
-
6+5
-
3+8
2
5
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
7
-
-
5
-
11
-
11
-
-
6
4
-
4
1
5
9
-
7
1
4
4
5
-
8
3
4
-
-
-
-
-
-
-
1+1
-
1+1
2
5
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
1
-
-
5
-
2
-
2

 

 

14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
`-
6
-
-
-
-
5
9
-
-
-
-
-
-
-
8
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
15
-
-
-
-
14
9
-
-
-
-
-
-
-
8
-
-
+
=
46
4+6
=
10
1+0
1
=
1
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
1
-
-
-
7
1
4
4
5
-
-
3
4
+
=
37
3+7
=
10
1+0
1
=
1
`-
`-
13
-
13
1
-
-
-
16
1
4
13
5
-
-
21
13
+
=
100
1+0+0
=
1
1+0
1
=
1
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
`-
15
13
-
13
1
14
9
-
16
1
4
13
5
-
8
21
13
+
=
146
1+4+6
=
11
1+1
2
=
2
-
6
4
-
4
1
5
9
-
7
1
4
4
5
-
8
3
4
+
=
65
6+5
=
11
1+1
2
=
2
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
-
-
4
-
4
-
-
-
-
-
-
4
4
-
-
-
-
4
-
-
4
occurs
x
5
=
20
2+0
2
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
14
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
43
-
-
14
-
65
=
38
1+4
-
4
-
4
-
-
-
-
-
-
4
4
-
-
-
-
4
-
-
4+3
-
-
1+4
-
6+5
-
3+8
5
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
7
-
-
5
-
11
-
11
-
6
4
-
4
1
5
9
-
7
1
4
4
5
-
8
3
4
-
-
-
-
-
-
-
1+1
-
1+1
5
O
M
-
M
A
N
I
-
P
A
D
M
E
-
H
U
M
-
-
1
-
-
5
-
2
-
2

 

 

-
OM-MA-NI-PAD-ME-HUM
-
-
-
-
O+M
28
10
1
-
M+A
14
5
5
-
N+I
23
14
5
-
P+A+D
21
12
3
-
M+E
18
9
9
-
H+U+M
42
15
6
14
OM-MA-NI-PAD-ME-HUM
146
65
29
1+4
-
1+4+6
6+5
1+1
-
OM-MA-NI-PAD-ME-HUM
11
11
11
-
-
1+1
1+1
1+1
5
OM-MA-NI-PAD-ME-HUM
2
2
2

 

 

-
OM-MA-NE-PAD-ME-HUM
-
-
-
-
O+M
28
10
1
-
M+A
14
5
5
-
N+E
19
10
1
-
P+A+D
21
12
3
-
M+E
18
9
9
-
H+U+M
42
15
6
14
OM-MA-NE-PAD-ME-HUM
142
61
25
1+4
-
1+4+2
6+1
2+5
5
-OM-MA-NE-PAD-ME-HUM
7
7
7

 

 

9
CHENRAZEE
85
49
4

 

 

4
NADI
28
19
1

 

 

 

.

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
OUROBOROS
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
51
-
9
OUROBOROS
138
57
48
-
1
2
3
4
5
24
7
8
18
-
-
5+1
-
-
-
1+3+8
3+5+1
7+2
-
-
-
-
-
-
2+4
-
-
1+8
-
-
6
-
9
OUROBOROS-
12
12
9
-
1
2
3
3
2
6
7
8
9
-
-
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
OUROBOROS-
3
3
9
-
1
2
3
3
2
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
5
ALPHA
38
20
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
-
5
OMEGA
41
23
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
B
=
2
-
9
BEGINNING
81
54
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
E
=
5
-
3
END
23
14
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
???? ? ????
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
29
-
36
First Total
315
180
36
-
3
2
3
4
10
12
7
7
9
-
-
2+9
-
3+6
Add to Reduce
8+5+5
1+8+0
3+6
-
-
-
-
-
1+0
1+2
-
-
-
-
-
11
-
9
Second Total
18
9
9
-
3
2
3
4
1
3
7
7
9
-
-
1+1
-
-
Reduce to Deduce
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
9
Essence of Number
9
9
9
-
3
2
3
4
1
3
7
7
9

 

 

IS ALPHA AND OMEGA THE BEGINNING AND THE END

315 - 180 - 36

?

 

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Ouroboros - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Ouroboros‎

The Ouroboros or Uroboros (/jʊərɵˈbɒrəs/; /ɔːˈrɒbɔrəs/, from οὐροβόρος ὄφις tail-devouring snake) is an ancient symbol depicting a serpent or dragon ...
‎Endless knot - ‎Great Work - ‎Ouroboros (disambiguation) - ‎Tsuchinoko

Ouroboros

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For other uses, see Ouroboros (disambiguation).

Drawing by Theodoros Pelecanos, in the alchemical tract Synosius (1478).
The Ouroboros or Uroboros (/jʊərɵˈbɒrəs/; /ɔːˈrɒbɔrəs/, from οὐροβόρος ὄφις tail-devouring snake) is an ancient symbol depicting a serpent or dragon eating its own tail.

The Ouroboros often symbolize self-reflexivity or cyclicality, especially in the sense of something constantly re-creating itself, the eternal return, and other things such as the phoenix which operate in cycles that begin anew as soon as they end. It can also represent the idea of primordial unity related to something existing in or persisting from the beginning with such force or qualities it cannot be extinguished. While first emerging in Ancient Egypt, the Ouroboros has been important in religious and mythological symbolism, but has also been frequently used in alchemical illustrations, where it symbolizes the circular nature of the alchemist's opus. It is also often associated with Gnosticism, and Hermeticism.

Carl Jung interpreted the Ouroboros as having an archetypal significance to the human psyche.[citation needed] The Jungian psychologist Erich Neumann writes of it as a representation of the pre-ego "dawn state", depicting the undifferentiated infancy experience of both mankind and the individual child.[1]

 

Contents [hide]
1 Historical representations 1.1 Antiquity 1.1.1 Egypt
1.1.2 Greece

1.2 Middle Ages
1.3 Alchemy 1.3.1 Chemistry

1.4 Kundalini Yoga
1.5 Non-western traditions

2 Figurative use
3 See also
4 References
5 Bibliography
6 External links

Historical representations[edit]

Antiquity[edit]

Egypt[edit]

Gnostic gem from Roman-era Egypt (1st century AD), with an ouroboros surrounding a scarab and voces magicae, characters representing magic words
The first known appearance of the ouroboros motif is in the Enigmatic Book of the Netherworld, an ancient Egyptian funerary text in KV62, the tomb of Tutankhamun, in the 14th century BC. The text concerns the actions of the god Ra and his union with Osiris in the underworld. In an illustration from this text, two serpents, holding their tails in their mouths, coil around the head and feet of an enormous god, who may represent the unified Ra-Osiris. Both serpents are manifestations of the deity Mehen, who in other funerary texts protects Ra in his underworld journey. The whole divine figure represents the beginning and the end of time.[2]

The ouroboros appears elsewhere in Egyptian sources, where, like many Egyptian serpent deities, it represents the formless disorder that surrounds the orderly world and is involved in that world's periodic renewal.[3] The symbol persisted in Egypt into Roman times, when it frequently appeared on magical talismans, sometimes in combination with other magical emblems.[4] The 4th-century AD Latin commentator Servius was aware of the Egyptian use of the symbol, noting that the image of a snake biting its tail represents the cyclical nature of the year.[5]

Greece[edit]

Plato described a self-eating, circular being as the first living thing—the universe as an immortal, mythologically constructed entity.

The living being had no need of eyes because there was nothing outside of him to be seen; nor of ears because there was nothing to be heard; and there was no surrounding atmosphere to be breathed; nor would there have been any use of organs by the help of which he might receive his food or get rid of what he had already digested, since there was nothing which went from him or came into him: for there was nothing beside him. Of design he created thus; his own waste providing his own food, and all that he did or suffered taking place in and by himself. For the Creator conceived that a being which was self-sufficient would be far more excellent than one which lacked anything; and, as he had no need to take anything or defend himself against any one, the Creator did not think it necessary to bestow upon him hands: nor had he any need of feet, nor of the whole apparatus of walking; but the movement suited to his spherical form which was designed by him, being of all the seven that which is most appropriate to mind and intelligence; and he was made to move in the same manner and on the same spot, within his own limits revolving in a circle. All the other six motions were taken away from him, and he was made not to partake of their deviations. And as this circular movement required no feet, the universe was created without legs and without feet.[6][7]

In Gnosticism, this serpent symbolized eternity and the soul of the world. The Gnostic text Pistis Sophia describes the disc of the sun as a 12-part dragon with his tail in his mouth.[8]

Middle Ages[edit]

Engraving by Lucas Jennis, in alchemical tract titled De Lapide Philosophico.
In Norse mythology, it appears as the serpent Jörmungandr, one of the three children of Loki and Angrboda, who grew so large that it could encircle the world and grasp its tail in its teeth. In the legends of Ragnar Lodbrok, such as Ragnarssona þáttr, the Geatish king Herraud gives a small lindworm as a gift to his daughter Þóra Town-Hart after which it grows into a large serpent which encircles the girl's bower and bites itself in the tail. The serpent is slain by Ragnar Lodbrok who marries Þóra. Ragnar later has a son with another woman named Kráka and this son is born with the image of a white snake in one eye. This snake encircled the iris and bit itself in the tail, and the son was named Sigurd Snake-in-the-Eye.[9]

Alchemy[edit]

Early alchemical ouroboros illustration. From the work of Cleopatra the Alchemist (Greco-Roman Egypt).
In alchemy, the Ouroboros is a sigil. Swiss psychologist Carl Jung saw the Ouroboros as an archetype and the basic mandala of alchemy. Jung also defined the relationship of the Ouroboros to alchemy:[10]

The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposite, i.e. of the shadow. This 'feed-back' process is at the same time a symbol of immortality, since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes the secret of the prima materia which [...] unquestionably stems from man's unconscious.

The famous Ouroboros drawing from the early alchemical text The Chrysopoeia of Cleopatra dating to 2nd century Alexandria encloses the words hen to pan, "one is the all". Its black and white halves represent the Gnostic duality of existence. As such, the Ouroboros could be interpreted as the Western equivalent of the Taoist Yin-Yang symbol.

The Chrysopoeia Ouroboros of Cleopatra the Alchemist is one of the oldest images of the Ouroboros to be linked with the legendary opus of the Alchemists, the Philosopher’s Stone.

As a symbol of the eternal unity of all things, the cycle of birth and death from which the alchemist sought release and liberation, it was familiar to the alchemist/physician Sir Thomas Browne. In his A Letter to a Friend, a medical treatise full of case-histories and witty speculations upon the human condition, he wrote of it:

[...] that the first day should make the last, that the Tail of the Snake should return into its Mouth precisely at that time, and they should wind up upon the day of their Nativity, is indeed a remarkable Coincidence,

Chemistry[edit]

Kekulé's proposal for the structure of benzene (1872)
August Kekulé described the eureka moment when he realized the structure of benzene:[11]

I was sitting, writing at my text-book; but the work did not progress; my thoughts were elsewhere. I turned my chair to the fire and dozed. Again the atoms were gamboling before my eyes. This time the smaller groups kept modestly in the background. My mental eye, rendered more acute by the repeated visions of the kind, could now distinguish larger structures of manifold conformation: long rows, sometimes more closely fitted together; all twining and twisting in snake-like motion. But look! What was that? One of the snakes had seized hold of its own tail, and the form whirled mockingly before my eyes. As if by a flash of lightning I awoke; and this time also I spent the rest of the night in working out the consequences of the hypothesis.

Kundalini Yoga[edit]

Ouroboros symbolism has been used to describe Kundalini energy. According to the second century Yoga Kundalini Upanishad, "The divine power, Kundalini, shines like the stem of a young lotus; like a snake, coiled round upon herself she holds her tail in her mouth and lies resting half asleep as the base of the body" (1.82). Another interpretation is that Kundalini equates to the entwined serpents of the caduceus, the entwined serpents representing medicine in the west or, esoterically, human DNA.

Non-western traditions[edit]

It is a common belief among indigenous people of the tropical lowlands of South America that waters at the edge of the world-disc are encircled by a snake, often an anaconda, biting its own tail.[12]

Figurative use[edit]

Seal of the Theosophical Society - Door decoration at Kazinczy Street 55, Budapest (Hungary).
The image of Ouroboros is used by Jadran Mimica in his analysis of the Yagwoia psychology and worldview. E.g. "this is the archetypal, cosmic tree of life^death whose structural determination is ouroboric because, like the serpent that eats its own tail, this tree grows in-through-and-out-of-itself, ad infinitum."[13]

See also[edit]

 

OUROBOROS

 

 

 

 

 

 

 

 

 

 

THE VOYAGE OF THE DAWNTREADER

C. S. Lewis 1952

Page 155

CHAPTER FOURTEEN

THE BEGINNING OF THE END OF THE WORLD

SLOWLY the door opened again and out there came a figure as tall and straight as the girl's but not so slender. It carried no light but light seemed to come from it. As it came nearer, Lucy saw that it was like an old man. His silver beard came down to his bare feet in front and his silver hair hung down to his heels behind and his robe appeared to be made from the fleece of silver sheep. He looked so mild and grave that once more all the travellers rose to their feet and stood in silence.
But the old man came on without speaking to the travellers and stood on the other side of the table opposite to his daughter. Then both of them held up their arms before / Page 156 / them and turned to face the east. In that position they began to sing. I wish I could write down the song, but no one who was present could remember it. Lucy said after­wards that it was high, almost shrill, but very beautiful, "A cold kind of song, an early morning kind of song." And as they sang, the grey clouds lifted from the eastern sky and the white patches grew bigger and bigger till it was all white, and the sea began to shine like silver. And long afterwards (but those two sang all the time) the east began to turn red and at last, unclouded, the sun came up out of the sea and its long level ray shot down the length of the table on the gold and silver and on the Stone Knife.
Once or twice before, the Narnians had wondered whether the sun at its rising did not look bigger in these seas than it had looked at home. This time they were certain. There was no mistaking it. And the brightness of its ray on the dew and on the table was far beyond any morning brightness they had ever seen. And as Edmund said afterwards, "Though lots of things happened on that trip which sound more exciting, that moment was really the most exciting." For now they knew that they had truly come to the beginning of the End of the World.
Then something seemed to be flying at them out of the very centre of the rising sun: but of course one couldn't look steadily in that direction to make sure.But presently the air became full of voices - voices which took up the same song that the Lady and her Father were singing, but in far wilder tones and in a language which no one knew. And soon after that the owners of these voices could be seen. They were birds, large and white, and they came by hundreds and thousands and alighted on everything; on the grass, and the pavement, on the table, on your shoulders, your hands, and your head, till it looked as if heavy snow had fallen. For, like snow, they not only made / Page 157 / everything white but blurred and blunted all shapes. But Lucy, looking out from between the wings of the birds that covered her, saw one bird fly to the Old Man with something in its beak that looked like a little fruit, unless it was a little live coal, which it might have been, for it was too bright to look at. And the bird laid it in the Old Man's mouth.
Then the birds stopped their singing and appeared to be very busy about the table. When they rose from it again everything on the table that could be eaten or drunk had disappeared. These birds rose from their meal in their thousands and hundreds and carried away all the things that could not be eaten or drunk, such as bones, rinds, and shells, and took their flight back to the rising sun. But now, because they were not singing, the whir of their wings seemed to set the whole air a-tremble. And there was the table pecked clean and empty, and the three old Lords of Narnia still fast asleep.
Now at last the Old Man turned to the travellers and bade them welcome.
"Sir," said Caspian, "will you tell us how to undo the enchantment which holds these three Narnian Lords asleep. "
"I will gladly tell you that, my son," said the Old Man. "To break this enchantment you must sail to the World's End, or as near as you can come to it, and you must come back having left at least one of your company behind."
"And what must happen to that one?" asked Reepicheep. "He must go on into the utter east and never return into the world." "That is my heart's desire," said Reepicheep.
"And are we near the World's End now, Sir?" asked Caspian. "Have you any knowledge of the seas and lands further east than this?" / Page 158 / "I saw them long ago," said the Old Man, "but it was from a great height. I cannot tell you such things as sailors need to know. "
"Do you mean you were flying in the air?" Eustace blurted out.
"I was a long way above the air, my son," replied the Old Man. "I am Ramandu. But I see that you stare at one another and have not heard this name. And no wonder, for the days when I was a star had ceased long before any of you knew this world, and all the constellations have changed. "
"Golly," said Edmund under his breath. "He's a retired star. " .
"Aren't you a star any longer?" asked Lucy.
"I am a star at rest, my daughter," answered Ramandu.

Page 159

"When I set for the last time, decrepit and old beyond all that you can reckon, I was carried to this island. I am not so old now as I was then. Every morning a bird brings me a fire-berry from the valleys in the Sun, and each fire-berry takes away a little of my age. And when 1 have become as young as the child that was born yesterday, then I shall take my rising again (for we are at earth's eastern rim) and once more tread the great dance."
"In our world," said Eustace, "a star is a huge ball of flaming gas. "
"Even in your world, my son, that is not what a star is but only what it is made of. And in this world you have already met a star: for I think you have been with Coriakin. "
"Is he a retired star, too?" said Lucy.
"Well, not quite the same," said Ramandu. "It was not quite as a rest that he was set to govern the Duffers. You might call it a punishment. He might have shone for thousands of years more in the southern winter sky if all had gone well. "
"What did he do, Sir?" asked Caspian.
"My son," said Ramandu, "it is not for you, a son of Adam, to know what faults a star can commit. But come, we waste time in such talk. Are you yet resolved? Will you sail further east and come again, leaving one to return no more, and so break the enchantment? Or will you sail westward?"
"Surely, Sire," said Reepicheep, "there is no question about that? It is very plainly part of our quest to rescue these three lords from enchantment"
"I think the same, Reepicheep," replied Caspian. "And even if it were not so, it would break my heart not to go as near the World's End as the Dawn Treader will take us. But I am thinking of the crew. They signed on to seek the / Page 160 / seven lords, not to reach the rim of the Earth. If we sail east from here we sail to find the edge, the utter east. And no one knows how far it is. They're brave fellows, but I see signs that some of them are weary of the voyage and long to have our prow pointing to Narnia again. I don't think I should take them further without their knowledge and consent. And then there's the poor Lord Rhoop. He's a broken man. "
"My son," said the star, "it would be no use, even though you wished it, to sail for the World's End with men unwilling or men deceived. That is not how great unenchantments are achieved. They must know where they go and why. But who is this broken man you speak of?"
Caspian told Ramandu the story of Rhoop.
"I can give him what he needs most," said Ramandu. "In this island there is sleep without stint or measure, and sleep in which no faintest footfall of a dream was ever heard. Let him sit beside these other three and drink oblivion till your return."
"Oh, do let's do that, Caspian," said Lucy. "I'm sure it's just what he would love."
At that moment they were interrupted by the sound of many feet and voices: Drinian and the rest of the ship's company were approaching. They halted in surprise when they saw Ramandu and his daughter; and then, because these were obviously great people, every man uncovered his head. Some sailors eyed the empty dishes and flagons on the table with regret.
"My lord," said the King to Drinian, "pray send two men back to the Dawn Treader with a message to the Lord Rhoop. Tell him that the last of his old shipmates are here asleep - a sleep without dreams - and that he can share it."

When this had been done, Caspian told the rest to sit down and laid the whole situation before them. When he / Page 161 / had finished there was a long silence and some whispering until presently the Master Bowman got to his feet, and said:
"What some of us have been wanting to ask for a long time, your Majesty, is how we're ever to get home when we do turn, whether we turn here or somewhere else. It's been west and north-west winds all the way, barring an occa­sional calm. And if that doesn't change, I'd like to know what hopes we have of seeing Narnia again. There's not much chance of supplies lasting while we row all that way."
"That's landsman's talk," said Drinian. "There's always a prevailing west wind in these seas all through the late summer, and it always changes after the New Year. We'll have plenty of wind for sailing westward; more than we shall like from all accounts."
"That's true, Master," said an old sailor who was a Galmian by birth. "You get some ugly weather rolling up from the east in January and February. And by your leave, Sire, if I was in command of this ship I'd say to winter here and begin the voyage home in March. "
"What'd you eat while you were wintering here?" asked Eustace.
"This table," said Ramandu, "will be filled with a king's feast every day at sunset."
"Now you're talking!" said several sailors.
"Your Majesties and gentlemen and ladies all," said Rynelf, "there's just one thing I want to say. There's not one of us chaps as was pressed on this journey. We're volunteers. And there's some here that are looking very hard at that table and thnking about king's feasts who were talking very loud about adventures on the day we sailed from Cair Paravel, and swearing they wouldn't come home till we'd found the end of the world."

 

 

THE VOYAGE OF THE DAWNTREADER

C. S. Lewis 1952

CHAPTER FOURTEEN

THE BEGINNING OF THE END OF THE WORLD

Page 160

"My lord," said the King to Drinian, "pray send two men back to the Dawn Treader with a message to the Lord Rhoop. Tell him that the last of his old shipmates are here asleep - a sleep without dreams - and that he can share it."

 

 

THE VOYAGE OF THE DAWNTREADER

C. S. Lewis 1952

Page 155

CHAPTER FOURTEEN

THE BEGINNING OF THE END OF THE WORLD

But Lucy, looking out from between the wings of the birds that covered her, saw one bird fly to the Old Man with something in its beak that looked like a little fruit, unless it was a little live coal, which it might have been, for it was too bright to look at. And the bird laid it in the Old Man's mouth.

 

Page 159

"When I set for the last time, decrepit and old beyond all that you can reckon, I was carried to this island. I am not so old now as I was then. Every morning a bird brings me a fire-berry from the valleys in the Sun, and each fire-berry takes away a little of my age. And when 1 have become as young as the child that was born yesterday, then I shall take my rising again (for we are at earth's eastern rim) and once more tread the great dance."

 

 

THE RIVER GOD 

Wilbur Smith 1993

Page 47

"If I had known then how close my words would turn out to being the truth, I think I should have placed a live coal on my tongue before I spoke them."

 

 

HOLY BIBLE

Scofield References

Page 922

ISAIAH

C 6 V 6

 

6

Then flew one of the seraphims unto me, having a live coal in his hand, which he had taken with the tongs from off the altar:

7

And he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged.

 

 

THE FOUNTAIN OF LIFE

Prose And Verse From The Bible

Robert Prys Jones 1949

Page 119

ISAIAH

6

HERE AM I; SEND ME

IN the year that king Uzziah died I saw also the Lord sitting upon a throne, high and lifted up, and his train filled the temple. Above it stood the seraphims:
each one had six wings; with twain he covered his face, and with twain he covered his feet, and with twain he did fly. And one cried unto another, and said, Holy, holy, holy, is the Lord of hosts: the whole earth is full of his glory. And the posts of the door moved at the voice of him that cried, and the house was filled with smoke.
Then said I, Woe is me! for I am undone; because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the. King, the Lord of hosts.
Then flew one of the seraphims unto / Page 120 / me, having a live coal in his hand, which he had taken with the tongs from off the altar: and he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged. Also I heard the voice of the Lord, saying, Whom shall I send, and who will go for us? Then said I, Here am I; send me.

 

 

GREAT PHILOSOPHIES OF THE EAST

E. W. F. Tomlin 1952

Page 159

"Like the conpilers of the Old Testament: the editors of the Rig-Veda anthology were,careful to preserve intact material beloning to different epochs, We are thus able to trace the development of the early Aryan, religious consciousness , just as a reading of early and later parts of the Bible affords us an enlarged conception of the nature of the Hebrew Yahve. There is wisdom in this refusal on the part of priestly guardians to suppress the primitive elements of their faith; for these are better kept well before the eye than allowed to fester, as the result of exision, in that uneasy corner to be found in the most devout conscience. Some of the vedic hymns are merely satirical, such as that addressed 'To Frogs', which is considered to be a satire on the priesthood; or straightforward vers de societe- such as that on the 'The Gambler', of whose ('dice dearer than soma') it is said:

Downward they roll, and then spring quickly upward, and handless, force

The man with hands to serve them.

Cast on the board, like lumps of magic charcoal, though cold themselves, they burn

The heart to ashes."

 

 

Daily Mail

Tuesday, April 14, 2009

Page 11

Hand of God

Eye in the sky: The Helix nebula

By Dan Newlin;

(Image omitted)

WE'VE already seen pictures of his eye ... now we have the first image of the hand of God.
The ghostly blue cloud seems to form an outstretched thumb and fingers grasping a burning lump of coal. This astonishing image was taken by Nasa's Chandra X-ray observatory, which is orbiting 360 miles above the Earth's surface.
It recalls those of the Helix planetary nebula, whose blue centre surrounded by white clouds earned it the nickname 'the eye of God'.
The hand was created when a star exploded in a supernova, creating a rapidly-spinning 12-mile-wide star called a pulsar, which is deep inside the white blob at the hand's wrist.
The pulsar is spewing out enormous amounts of electromagnetic energy, creating a dust and gas cloud so wide that it would take a light beam 150 years to cross from side to side.
The red disc is a separate cloud of gas. The fingers are thought to have been created as the energy passed from the pulsar to this gas cloud.
Nasa scientists estimate the moment depicted here actually happened 17,000 years ago. it has taken since then for the X-rays, travelling at 670million mph, to reach Earth.

 

HARMONIC 288

Bruce Cathie 1977

THE MEASURE OF LIGHT

Page 95

"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."

Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches,"

Page 95/97

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."

 

 

JUST SIX NUMBERS

Martin Rees

1

999

OUR COSMIC HABITAT I

PLANETS STARS AND LIFE

Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'"

Page 24 / 25

"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!

Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)

Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

 

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'"

 

 

THE SIRIUS.MYSTERY

Robert K.G.Temple 1976

Page 82

The Sacred Fifty

" We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving pri­mitive mankind the arts of civilization:
And Horus thereon said:
'How was it, mother, then, that Earth received God's Efflux?' And Isis said:
'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites.
'Tis they who gave to men laws, food and shelter.'

"Page 73

A Fairy Tale

'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,

HE WHO IS LORD IN THE PERFECT BLACK.

 

 

THE SIRIUS MYSTERY

Robert K.G.Temple 1976

Page 74

"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "under­world", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World'
is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries."

Page 77

"Bearing these books in mind (and I am sure they are there waiting under­ground like a time bomb for us), it is interesting to read this passage in 'The Virgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth
is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'..."

 

 

 
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